Cover, Nicole Salomone’s “Forgotten”

Forgotten – a novella

My friend Nicole has been writing a book of historical fiction for several years. She’s into historical dance, and her research ties dance to the social elements of the time (“Why is this dance done this way? Ohhh… in that era, they wore shoes that might only let you move your feet a certain way”, that sort of thing) and more recently, she’s been focusung on her interest in historical medicine. She’s combined a slew of those pursuits into this book, a novella set during the American Revolution. Long ago she commissioned me to illustrate the cover… and, much like John Radburn’s CD cover, the Muse stayed away on this one for a long, long time. This, despite the fact that Nicole had given me a wonderfully thorough write-up of what the cover should show.

For months, I had nothing.

At all. Bupkes mit bupkes. Thankfully, during this time, Nicole was still finishing the book, so I had some leeway.

When inspiration did hit, and it did, it hit well. The final looks very much like the sketches in layout, although it took me a while to figure out what sort of art style the peice demanded (I’m  embarrassed by some of my attempts to fight the direction the drawing wanted to go, see the third rough below). Now it was my turn to research: the cover would show a woman dressed in a man’s cast-off military uniform of the time, so I needed good sources for the uniform. Thankfully, Nicole knew what unit the uniform needed to come from, so I was able to find images to work from for accuracy. Also, I know what a canvas tent looks like. Really. Yet it took weeks of poring over images of rev-war tents to make sure I drew what a tent looked like (or in the case of the final art, the suggestion of what a tent looks like.

The hardest part for me was the actual body positioning. I couldn’t get all the parts to work together, and it took a lot out of me to fight with the drawing that much. It didn’t matter if I worked from photos or life, I. Could. Not. Get. The. Pose. To. Work.

Then, when looking at another friend’s pictures of her new kitten, I saw the very part that was key to the whole pose – the perfect turn of head and shoulder. That was it, the rest fell into place quickly after that. (Incidentally, that friend is happy for Nicole that the book is now published, but more happy that her head is on it.)

And now, the book is now published and a reality! “Forgotten” is available on Amazon, both here and abroad. If you like well-researched historical fiction, complete with  no-way-they-couldn’t-have-thought-that-was-good-for-you 18th century field medicine, go buy a copy or two!

Process sketches are after the jump.

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Cover for Jon Radburn CD, “Songs for Dead Singers”

Songs for Dead Singers cover

This is a project which has been back-burnered for several summers. It isn’t, strictly speaking, SCA-related, but as I know Jon through the SCA, and it’s current work, it’s going up here.

Jon spoke to me several years ago about doing some graphics work for his web presence and his then-just-an-idea album. We discussed some of the questions I like to have answered when I start a creative project, and then both promptly got busy. We’ve remained in touch on and off about this, but this past winter Jon got several of his ducks in a row and was nearing actually having an album for which he would need a cover and some web marketing, so he asked me to put it back on a front burner.

East Kingdom Outfitters art

EK Outfitters Zazzle store banner
We're from the East - We're friendly.

I produced several items for East Kingdom Outfitters, an on-demand swag store benefiting the EK Royal Travel Fund. The idea was to offer imprinted items with Eastern images, things which would instill kingdom pride (much like sports team apparel). I was tasked with creating some original art, and also re-purposing existing art (like group heraldry) for the site as well. Among other things, I created an image called “We’re From the East – We’re Friendly” and the logo for the site.

The logo was done completely digitally, but the “We’re Friendly” art was much more involved. It began as an ink line drawing, which I scanned and cleaned. I set type in Illustrator and painted it in Photoshop over the course of many days (two hours a day of train ride is useful for that).

2009 Known World Academy of the Rapier/Known World Costuming Symposium website and swag art

KWAR/KWCS swag art

I built and co-maintained the website for KWAR/KWCS 2009, designing it to look as if it had been illuminated and painted. This was a pretty decent challenge, as I’m not a painter, and this was going on the web. The base images are ink drawings, digitally painted in Photoshop. Once we had the site laid out, I designed the image which would eventually grace the event swag (see above.) This was produced on-demand at Zazzle.com.

The real site is long gone, but here’s the sample site. Unfortunately, it looks like the “penguin cam” link is dead too, but I keep holding out hope.

EDIT: Wonder of wonders! The penguin cam is working again! Life is the tiniest bit better today because of it.